A Waste of Time

Webcomix by Rick Worley
RSS
  • Home
  • About
  • STORE
  • Contact
  • Links
  • Storyline Guide
DOWNLOAD SML
February 2012
M T W T F S S
« Jan    
 12345
6789101112
13141516171819
20212223242526
272829  

Archives

  • February 2012 (2)
  • January 2012 (8)
  • December 2011 (15)
  • November 2011 (19)
  • October 2011 (14)
  • September 2011 (14)
  • August 2011 (6)
  • July 2011 (15)
  • June 2011 (17)
  • May 2011 (4)
  • April 2011 (6)
  • March 2011 (14)
  • February 2011 (8)
  • January 2011 (2)
  • December 2010 (23)
  • November 2010 (4)
  • October 2010 (6)
  • September 2010 (7)
  • June 2010 (1)
  • May 2010 (9)
  • April 2010 (9)
  • March 2010 (1)
  • February 2010 (1)
  • January 2010 (1)
  • December 2009 (3)
  • November 2009 (2)
  • October 2009 (19)
  • September 2009 (8)
  • August 2009 (5)
  • July 2009 (9)
  • June 2009 (7)
  • May 2009 (10)
  • April 2009 (13)
  • March 2009 (10)
  • February 2009 (8)
  • January 2009 (23)
  • December 2008 (27)
  • November 2008 (1)

Posts Tagged ‘guys’

4 items.

More Beer

May 25th, 2009 | by Rick Worley
  • Webcomix »
  • Sketchbook
More Beer

I think this is the last one of these from my first issue that hasn’t yet been posted in a blog.  I’m thinking on Wednesday we’ll have the next part of the Swine Flu storyline to post.

└ Tags: first issue, guys, Rick Worley, sexy, sketch
”Comment

You’re Worthless

May 22nd, 2009 | by Rick Worley
  • Webcomix »
  • Sketchbook
You’re Worthless

The other night.  A dream.  I’m drifting off to sleep, and I don’t realize that I’ve fallen there yet, so when I see myself walking down a sidewalk.  I think it’s real at first even though it looks a little bit like one of those first person shots in Being John Malkovich where they’re inside Malkovich looking out, as opposed to really being the person that’s walking.  I realize it must be a dream when I see what’s on the sidewalk.  There’s a horse lying there, a horse definitely and not a pony, in proportion and detail, although it’s only about three feet long, maybe as big as a largish medium-sized dog.  The dog comparison is uncomfortable, because half of the horse is ground into the pavement, smashed paper-thin as though it has the consistency of a pile of dog shit and has been stepped in by a giant shoe.  The only portion of the horse to retain its original dimensionality is the left front leg and everything above going to the neck and head.  These parts are flailing about feebly, like the antenna of a roach that’s been sprayed but hasn’t quite given up yet.  The horse’s eyes roll up in their sockets, but I couldn’t claim it was looking at me.

This is when I realize that it’s all a little too weird, I must be dreaming, and I think that I wake up.  I’m in my room., although the light is strange and soft and diffused, like how they tried to photograph a woman’s bedroom in the early days of three-strip technicolor.  I’m not yet concerned that the aesthetic qualities of my imaginative landscapes so often are easily compared to the techniques employed in old films.  There’s somebody next to me, but I don’t quite see him.  He’s in my peripheral vision, just barely though, and I’m telling him that I just had the strangest dream, but I never remember my dreams.  That part is true, because I really rarely do.  So, I insist that he has to help me remember the horse, because it was too interesting to waste.  I think he’s nodding a little bit, but he doesn’t say much in the way of an answer.  I decide that he’s not trustworthy, and I tell myself that it’s up to me to remember this dream.  I insist again and again that I have to record every detail.  I think this is why I remember most of what happened afterward.  I start to realize that there’s something strange about this as well, and that there might not be another person in my peripheral vision at all, and that’s when I “wake up” again.

I’m lying in my bed now, which seems about right because I’m supposed to have just snapped out of a bad dream.  Looking down, I discover that there’s a boy there, going down on me, green t-shirt and brown skin.  He’s beautiful, and I recognize him from my escapades, even though I can’t see his face.  It seems hazy, though, and I can’t feel his mouth on me like I should, and some part of my brain starts to suspect that I never did wake up, after all.

Now I’m standing up at the foot of my bed, and I think I’ve woken up again.  But for some reason the door between my room and my roommate’s is open, which it never should be.  I think it’s actually taped shut.  There’s something profoundly disturbing to me about it being open.  I can’t recall the last time that it was.  Then I notice that the light in the room isn’t natural, it’s a deep blue with no conceivable logical origin within the room.  I think in the box of crayolas I had when I was little, that blue was called cornflower blue.  I start to step toward the door, but I feel like I shouldn’t.  The steps I take toward it don’t actually bring me any closer, until I finally notice a shadowy figure in the room.  It’s headed toward me, and for some reason I’m afraid of it, even though my suspicion is that it’s the boy from a minute ago, still in his green t-shirt and without pants, just walking at a casual pace.  Suddenly, another figure rushes me from my right side and grabs me, which is when I realize it’s all just too improbable, I must be dreaming, and I “wake up” again.

Now I’m lying back in my bed, but I feel paralyzed and I can’t move.  There are two figures standing over me.

“It doesn’t really matter.  He can’t hear you,” one of them says.

They continue discussing me for a few moments.  What’s disturbing me even more than my paralysis is the fact that one of them looks exactly like a drawing I had done, only that drawing wasn’t of anybody in particular.  It was as though the guy was from the drawing, rather than the other way around.  They keep discussing me for a few more minutes before I snap awake again

This time, I lay with my eyes closed for a few minutes.  I think about the sounds in the room and the feeling of my cheek on the pillow.   I’m trying to figure out how I can tell that this is any different than being asleep, and zero in on the exact indications that tell me the difference.  I feel unsettled, because in the last portion of the dream I had been convinced that I really was awake finally, and that I was in an asylum or something, imagining these walking versions of my drawings looking over me.  I had finally snapped.

It took me a few minutes, but I did convince myself that it was a real pillow against my cheek.  I opened my eyes.

└ Tags: guys, Rick Worley, sexy, sketch, worthless
”Comment

Zac Efron is so Cute

May 20th, 2009 | by Rick Worley
  • Webcomix »
  • Comix
Zac Efron is so Cute

When people suggest to me that I should try to get my comics syndicated into newspapers, I usually doubt that they’ve actually read my comics.

What’s interesting to me about this particular joke, aside from the obvious, is that it’s really not a very extreme sexual fantasy at all but, somehow, when it’s written down like that it seems like the filthiest thing ever.  One thing I’ve always been interested in is picking at the scabs of our social taboos and seeing which ones are actually covering anything worth covering.  They almost never are when you get down too it.  I’m also pretty interested in writing about sex with guys, so two birds and one stone there.

└ Tags: guys, Rabbit, Rick Worley, sexy, strip, zac effron
5Comment

F’in’ Cold

May 11th, 2009 | by Rick Worley
  • Webcomix »
  • Sketchbook
F’in’ Cold

Just a quick sketchbook page for today.  I have a billion drawings like this, because this is basically what comes out when I’m standing around with nothing in particular to draw.  I bring my sketchbook to bars and public places a lot, for different reasons.  One of the obvious reasons for bringing it to a bar, of course, is that I can go there and hang out until something happens without just standing on the wall and staring at people all creeper-status.  Although, I’ve been known to do that too.  The sketchbook-in-bar thing is also good because if somebody wants to approach me, it gives them an easy excuse for conversation.  The problem with that is that it’s sometimes a little too easy, and some pretty gross old men have thought they had an in with me if they’d pretend to care about what I was sketching.  I have trouble striking the perfect balance between aloof and available.

Most people don’t seem to think it’s strange to see someone drawing in a bar, and some people even seem to think it’s cool, but occasionally I do get somebody who just thinks it’s freakish to see a fellow patron with something in his hand besides a drink or a crotch.  I was standing in a bar, I think the same one where I drew this sketch, and some guy comes up and starts talking to me, mostly about himself.  He was cute, though, and offering drinks so I feigned interest.  He talked about how much money he made, and how much he liked it in LA, where apparently he was from, but explained that he came to San Francisco about once a month to, “unwind.”

“But it never turns out that way, haha,” he said.  ” I always think I’m just gonna relax up here, but next thing I know, I’m doing coke offa some guy’s cock!” Yeah, don’t you hate it when that happens?  I wish guys would just keep their coke and their cocks to themselves, for chrissakes.  “What are you doing with the book?” he asked.

“Sketching.”

He gave me a look a little bit like I had said I was using it to beat stray dogs.  “Dude, that’s weird.”

“Why’s it weird?”

“Cause you’re coming to a social place to be anti-social!” he tells me.

“How am I anti-social when I’m talking to your right now?”

His brow furrows, I can sense the wheels turning a bit behind frustrated, blank, but awfully cute eyes… “Whatever, dude.  I’m meeting a friend at Lookout.  Wanna come?”

I do go to Lookout, but I meet up with another friend and stop talking to the guy, which seems OK by him because his friend has a couple of other friends, and I think the group of them are deciding to get friendly.

A month or two later, I ran into the guy again and am surprised that he remembers me.  “Oh, yeah,” he said.  “You’re that guy who reads!”

“Um, well, yeah, I read, but I wasn’t that night.  It was a sketchbook.”

“Yeah, right, right, you had a book!  In a bar!”

I’m starting to feel a little bit like Belle talking to Gaston as the guy puts his arm around my shoulder and introduces me to his passel of of cute 20-somethings; different 20-somethings than last time, of course.  “Hey everybody!  This is my friend who reads!”

Some sets of bleary eyes wandered in my direction for a minute, I waved and then excused myself.  I was feeling like I didn’t really belong there, somehow.  I was the guy who reads!  I guess that’s what I get for hanging out with somebody from LA, right?

└ Tags: bars, guys, Rick Worley, San Francisco, sexy, sketch
3Comment

Subscribe to RSS Feed
What is RSS?
Subscribe to Email Updates


Delivered by FeedBurner

SiteMap

  • About
  • Contact
  • Links
  • STORE
  • Storyline Guide

Categories

  • blog (21)
  • Boy From Santa Cruz (45)
  • Boys (14)
  • Comix (79)
  • Hot Mess (4)
  • Interview With the Author (3)
  • Marching to The City (30)
  • Porn Addicted (12)
  • Portraits (2)
  • Rabbit and Wolf (49)
  • Rickets and Prester (27)
  • Roll With It (15)
  • Sketchbook (27)
  • Swine Flu (17)
  • Uncategorized (6)
  • Webcomix (3)

© 2008-2012 Rick Worley | Powered by WordPress with ComicPress | Subscribe: RSS

  • do me:do me:
  • Cum On My Facebook Cum On My Facebook
  • I Need Myspace I Need Myspace
  • Just Fucking Subscribe Already Just Fucking Subscribe Already
  • Don't Make Me Cut You Don't Make Me Cut You