A Waste of Time

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Submission

August 8th, 2012 | by Rick Worley
Posted In: blog

So I’m posting this as a blog instead of posting the illustration as a comic with a blog attached, because I’m probably going to post the next Morbid Obsession strip soon, and I’d like to keep them somewhat in order when people are browsing through the archives.  You know, posting things in order like how I always say I’m going to and then I don’t.

I figured this drawing was worthy of a post, though, because I like it.  This was drawn from a picture a fan sent to me a while ago in the hopes that I would draw him, and I meant to but hadn’t got around to it yet.  So many twinks, so little time… It’s hard being me, I know. But still, I very much appreciated the picture.  I actually had it as the background on my cell phone for a while, so whenever I saw it there I would be reminded of why I’m an artist.  For the money shots, obviously.

I especially wanted to draw it because I thought drawings of the things that I’ve had as cell phone backgrounds might make a good series eventually.  After this, I had a picture of a guy I was dating on there.  When my friend, who knew how much I liked this photo, saw that I had put a picture of the new guy on my phone she said, “Oh, he replaced butt boy?  Wow, things must be getting serious!”

I did like him, but that ended up not going very far.  After him I started dating my last ex, the one that’s now been the subject of a few breakup comics and blogs, and he was my next cell phone background.  It was a cute picture.

When we broke up, I thought that maybe I should have something on there other than a picture of whatever boy I was currently into.  It’s nice to have a picture on there of a boy I’m dating, or a boy I just think is really cute, but, assigning importance to things that may or may not have any, I started to feel slightly awkward that, if you looked at the cell phone backgrounds as a timeline of my life, my life was being defined by the series of cute boys I dated and it ended up not going anywhere with.

That was a depressing thought, so I decided to make my new cell phone background something of much more lasting significance.  Next to my desk where I draw my comics, I have two things framed on my wall as inspiration for me, things I like being able to look at while I work.  I have a poster from the Bob Dylan show I saw a couple years ago, and I have a copy of the last ever Calvin and Hobbes strip that I saved from the newspaper the day it came out, which is, wow, like 17 years ago now.  I joke about doing comics for the money shots, but Calvin and Hobbes is probably a much bigger reason, and I love that strip now even more than when I saved the last one from a newspaper back at the age of 12, so it’s a much more enduring love story for me than the last several twinks who have wandered in and out of my bedroom.  So, after this last breakup, I took a picture of my framed Calvin and Hobbes strip, and right now I’m enjoying having that on my cell phone a lot.

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The Rest of Seduction of the Innocent

August 1st, 2012 | by Rick Worley
Posted In: blog

I don’t know if I explained on my last post that Seduction of the Innocent, based on the Wertham book, obviously, is the title of the Batman on Robin commissioned story that I’ve been working on.  I don’t know how innocent Robin is though, exactly, he seems like a bit of a hobag.  But it’s cute if he’s playing innocent, so I would go with it.  Anyway, I finished the 10 pages, so I thought I’d do a post about the rest of them before I moved on to posting other things.

So let’s see.  On this next page we have Batman taking off his jumpsuit, but leaving on the cape and cowl, which is good because that’s more fun to draw in this story than just some guy’s face.  This is also some of the first chest hair I’ve ever drawn.  My twinks don’t normally have chest hair, so commissioned stories are good because they force me to learn to draw things I probably wouldn’t try to draw otherwise.  There are a few versions of the big dick panel, because we discussed whether or not the bottom of Robin’s shirt should be visible, etc., and I did it a few ways and left it to Jason to decide.

I liked this page a lot.  I added an extra panel from the script because I wanted to move panels around so that those two panels on the second row were next to each other.  I wanted, when your eye moved left to right reading it, for that to follow the thrust of Batman’s dick into Robin.  I also like the thing with Batman covering Robin’s mouth while he fucks him.  That’s always the problem with twinks, you get to fuck them but then you have to listen to them talk, as well.  It’s a difficult trade-off.  The word balloon up at the top is Batman telling Robin “No,” when Robin is about to cum.  Bottoms love it when you tell them, “No,” they need to be shown who’s boss.  That’s free relationship advice there, folks.

This page was difficult for me to draw.  With nothing going in Robin’s butt, my interest begins to wane.  But his penis is awfully cute, I suppose.  On the last panel there, Batman is ordering him to cum, so on the next page we get:

A lot of Bat-jizz.  This page comes close to doing one thing I swore I would never do, which is the ridiculous giant penises you see in a lot of porn comics.  I don’t think two foot long penises are sexy in life, and I don’t think they’re sexy in comics.  They make me think a person probably needs medical attention, not sex.  However, on this page the penises aren’t actually larger than I drew them on other pages, they’re just meant to be closer to the viewer.  In the first panel it’s Robin’s big cumshot, so I thought the penis should be the focus, and in the fourth panel, Batman is about to start fucking him again so his penis is supposed to be the focus and look intimidating. With foreshortening taken into account, the size of the penises is about right, I just wondered if they looked too big.  In the end I think they came out alright.

In the last panel there Robin has kind of turned the tables on Batman and he’s feeling kind of full of himself, post-orgasm.  He knows Batman still wants to fuck him and he’s cracking jokes to irritate him.  I think the script said that Batman was visible in that last panel, but since the idea was Robin using Batman’s desire for him to his advantage, I thought the pose of him with his butt up in the air, showing it off, and talking to Batman from between his legs, was really good.

I like the first panel here a lot.  I think it’s cute how excited and confident Robin looks about getting fucked.  I like the fifth panel, too, it’s intentionally done as an homage to this dumb sex scene that, when I was about 17, I loved and jacked off to who knows how many times.  The poses are based on the movie, which is not a Batman and Robin porn movie, and then I put Batman’s costume, etc., on them.  I also think it’s cute how Batman is grabbing a fistful of Robin’s hair there.

So this is the last page.  In the first panel there, Batman finishes up, and then the script said something about him slinking off into the shadows in the next panel.  Throughout the comic, whenever Batman is trying to act cool and intimidating like the comic book Batman, I drew him a little more comic-booky in those panels, his chin got bigger or whatever.  So in this panel with him slinking off into the night, I drew him more like a comic book Batman, with his shoulders making those pointed shapes that they do in the comics for some reason, and his eyes becoming those kind of Todd McFarlane-y triangle shaped eyes.  When I was showing these pages last week at the Center for Sex and Culture, somebody pointed out that in between the first and second panels, you don’t know whether or not Batman actually put his clothes back on, or if he’s still just wearing the cape.  I like the idea of him slinking off, all masked-avengery, having forgot his pants.

So, the story is that Batman leaves, but he leaves Robin tied to the bed and the door still open.  On the third panel I tried to draw a shaft of light that looked like it was coming from an open door.  The focus of that spotlight effect, obviously, is Robin’s used butt with cum leaking out of it, which is of course what I paid the most attention to while drawing.

Then, the guy in the Joker mask, who was there way back in the first page of the story, shows up, and now he’s gonna fuck Robin too.  We leave Robin tied to a bed, and used as a slutty cum dumpster which is how, in the comics, I always felt Robin was meant to be.

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A Waste of Time - Rick Worley
A Waste of Time - Rick Worley
A Waste of Time - Rick Worley

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